AIDA in Munich – Review
by Natalia Di Bartolo – The new production of Michieletto at the Bayerische Staatsoper, with Rustioni on the podium and an impeccable cast. We are now
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Natalia Dantas
ROMEO AND JULIETTE at the Opéra National de Paris Bastille – Review
By Natalia Di Bartolo – In a new production by Thomas Jolly with Benjamin Bernheim and Elsa Dreisig, Gounod's Opéra returns to
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LUCIA DI LAMMERMOOR at La Scala in Milan – Review
By Natalia Di Bartolo – Lucia di Lammermoor, a Donizettian dream, cross and delight for every soprano, a masterpiece after Walter Scott's masterpiece; In short:
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SICILIAN VESPERS at La Scala in Milan – Review
By Natalia DiBartolo. The booklet refers to a precise historical event that is crucial to find “the reading key” of the whole
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ERNANI at the Teatro del Maggio in Florence – Review
By Natalia Di Bartolo. An Ernani performed in one breath, but very successful and with high-level voices. Ernani is one
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NABUCCO at the Teatro Massimo in Palermo – Review
By Natalia Di Bartolo. A show in the true sense of the word, a well-deserved success for a highly enjoyable setting – On the podium the
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FEDORA by Giordano at the Teatro alla Scala – Review
by Natalia Di Bartolo – Roberto Alagna triumphs at La Scala, with Sonya Yoncheva in the role of Fedora. Directed by Mario Martone. Sure it is
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VEZZI AND MALVEZZI – The whole truth about the death of "Julius Caesar"
Natalia Di Bartolo, in a’ careful examination of the sources of the “Julius Caesar” by Shakespeare, enriches the humorous / satirical series by Vezzi and Malvezzi with
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VEZZI AND MALVEZZI: Guided tour of the Asylum of the Opera
Natalia Di Bartolo continues, with the demanding viewer struggling with an interview on the scenes of madness, in the Vezzi and Malvezzi column… “But they are
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VEZZI AND MALVEZZI: The collection of period recordings
– Natalia Di Bartolo captures “the viewer demanding” in a moment of listening crisis, in one of his humorous articles in the funny series.
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