VEZZI E MALVEZZI: the international prize for Opera
VEZZI E MALVEZZI: the international prize for Opera, a new humorous-satirical article in the series. By Natalia Di Bartolo © DiBartolocritic The prize is highly coveted
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Natalia Dantas
THE BRIDE AND HER EXECUTIONERS in Volterra – Review
Review Sipario: LA SPOSA E I SUOI CARNEFICI a Volterra. Patrizia Ciofi e Simone Migliorini con Laura Pasqualetti incantano il pubblico con l’avanguardia di
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THE BRIDE AND HER EXECUTIONERS in Volterra
LA SPOSA E I SUOI CARNEFICI a Volterra. Patrizia Ciofi e Simone Migliorini: tra Opera e Prosa in un esperimento drammaturgico in prima assoluta
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VEZZI AND MALVEZZI: The star on tour
VEZZI AND MALVEZZI: The étoile on tour. Another fun article from the series created and written by Natalia Di Bartolo. © DiBartolocritic Epochal event of
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Review Sipario: RIGOLETTO al Vienna State Opera
Review Sipario: RIGOLETTO al Wiener Staatsoper: Roberto Frontali protagonista; debuttante Gilda, Aida Garifullina. Exclusive by Natalia Di Bartolo – Click the link below: “Rigoletto”
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Review Sipario: DER FLIEGENDE HOLLÄNDER a New York
Review Sipario: DER FLIEGENDE HOLLÄNDER a New York, The Metropolitan Opera, by Natalia Di Bartolo © DiBartolocritic, exclusive for SIPARIO – Click the link below:
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Review: Il M°. JORDI BERNÀCER conducts Schumann
Review: Il M°. JORDI BERNÀCER dirige Schumann con l’apporto della pianista russa Ksenia Kogan al teatro Massimo Bellini di Catania. By Natalia Di
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Review: JERUSALEM by Verdi at the Opéra Royal de Wallonie
Review: JERUSALEM by Verdi at the Opéra Royal de Wallonie, for the first time in Liège, directed by Speranza Scappucci, with Roberto Scandiuzzi. By Natalia
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Review: The chills of MANON LESCAUT in Catania
Review: I brought MANON LESCAUT to Catania, in a direct production by M° José Miguel Pérez-Sierra. By Natalia Di Bartolo © dibartolocritic – The chills
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Review: LA TRAVIATA in Palermo in a Liberty atmosphere
Review: LA TRAVIATA in Palermo in a Liberty atmosphere, directed by Giacomo Sagripanti, with Leo Nucci Giorgio Germont. By Natalia Di Bartolo © dibartolocritic Il
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