EDUARDO AND CRISTINA at the ROF in Pesaro – Review 2Rewiews2
by Natalia Di Bartolo – On the podium Jader Bignamini, directed by Stefano Poda, in an absolute modern premiere of the critical edition of Rossini's Opera inaugurates
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AIDA in Munich – Review
by Natalia Di Bartolo – The new production of Michieletto at the Bayerische Staatsoper, with Rustioni on the podium and an impeccable cast. We are now
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TURANDOT at the Teatro Real in Madrid – Review
by Natalia Di Bartolo – Anna Pirozzi in the title role in Robert Wilson's production, with Jorge de Leon and Ruth Iniesta,
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ROMEO AND JULIETTE at the Opéra National de Paris Bastille – Review
By Natalia Di Bartolo – In a new production by Thomas Jolly with Benjamin Bernheim and Elsa Dreisig, Gounod's Opéra returns to
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LUCIA DI LAMMERMOOR at La Scala in Milan – Review
By Natalia Di Bartolo – Lucia di Lammermoor, a Donizettian dream, cross and delight for every soprano, a masterpiece after Walter Scott's masterpiece; In short:
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ADRIANA LECOUVREUR at the Regio di Parma – Review
By William Fratti – Cilea's melodrama returns to Parma after more than forty years with a staging, in co-production with Modena and Piacenza,
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SICILIAN VESPERS at La Scala in Milan – Review
By Natalia DiBartolo. The booklet refers to a precise historical event that is crucial to find “the reading key” of the whole
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MACBETH a Trieste – Review
By William Fratti – Verdi's Macbeth returns to the stage of the Teatro Lirico di Trieste in Henning Brockhaus's show which almost completes
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THE TAMERLANO in Piacenza – Review
By William Fratti – A very high-level cultural operation the production of Il Tamerlano by Antonio Vivaldi in the critical edition by Bernardo Ticci A show that does good
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FRÉDÉRICO ALAGNA exhibits a Mystical Triptych in Paris
By Natalia Di Bartolo – On display in Saint-Sulpice. The Italian-French artist stands out for the originality and elegance of his monumental works. Frederic Alagna,
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