ERNANI at the Teatro del Maggio in Florence – Review
By Natalia Di Bartolo. An Ernani performed in one breath, but very successful and with high-level voices. Ernani is one
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NABUCCO at the Teatro Massimo in Palermo – Review
By Natalia Di Bartolo. A show in the true sense of the word, a well-deserved success for a highly enjoyable setting – On the podium the
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FEDORA by Giordano at the Teatro alla Scala – Review
by Natalia Di Bartolo – Roberto Alagna triumphs at La Scala, with Sonya Yoncheva in the role of Fedora. Directed by Mario Martone. Sure it is
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VEZZI AND MALVEZZI – The whole truth about the death of "Julius Caesar"
Natalia Di Bartolo, in a’ careful examination of the sources of the “Julius Caesar” by Shakespeare, enriches the humorous / satirical series by Vezzi and Malvezzi with
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Invited to Georgia, Maestro Sabbatini conducts pieces of Opera - Focus
By Natalia Di Bartolo. A charity gala concert in Tbilisi, conceived by mezzo-soprano Nino Surguladze for the Foundation “Natvris he”
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VEZZI AND MALVEZZI: Guided tour of the Asylum of the Opera
Natalia Di Bartolo continues, with the demanding viewer struggling with an interview on the scenes of madness, in the Vezzi and Malvezzi column… “But they are
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VEZZI AND MALVEZZI: The collection of period recordings
– Natalia Di Bartolo captures “the viewer demanding” in a moment of listening crisis, in one of his humorous articles in the funny series.
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GROSS – Simone Migliorini plays Shakespeare in Volterra – Review
Review by Natalia Di Bartolo – Simone Migliorini great interpreter of Shakespeare with the dramaturgy of Nicola Fano, in Volterra – A sound
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TRACHINIE by Sophocles – Critical analysis
TRACHINIE by Sophocles – Critical analysis by Natalia Di Bartolo – The much discussed dichotomy of the Sophocles masterpiece does not exist. Reading the text
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From the Archives: “EURIPIDE: HERACLES IN THE MIRROR”, Syracuse, 2007 – Review
From the Archives: “EURIPIDE: HERACLES IN THE MIRROR”, Syracuse, 2007 – Review by Natalia Di Bartolo. About Euripides' ERACLE on stage this year
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