A curated selection of major international reviews by Natalia Di Bartolo, chosen for their critical depth, historical relevance, and authoritative perspective.
These texts document significant productions at leading opera houses (Vienna, Munich, New York), offering independent, rigorous criticism grounded in musical analysis, performance practice, and theatrical vision.
Magische Töne, Magic Sounds, Sons Magiques, Suoni Magici… IN FALSETTO To appreciate some of the most beautiful final notes in falsetto of this aria:
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Retrouvez dans #MaVieEstUnOpera, le nouvel album de Roberto Alagna, des morceaux comme I Pagliacci, Manon Lescaut, Orphée et Eurydice, Madama Butterfly, La Reine
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By Natalia Di Bartolo — (Following excerpts of French and English translation) — Un Werther massenetiano dalla lettura interpretativa e registica attenta e
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By Natalia Di Bartolo Following excerpts of french translation) Parigi, 2 febbraio 2014 Quando il teatro d’Opera parla all’anima, è vero teatro ed
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