THE ENCHANTOR by Natalia Di Bartolo in Volterra – Author's notes
by Natalia Di Bartolo – International premiere at the International Roman Theater Festival, 26 July 2024. Eric Breton, Lydia Mayo, Simone Migliorini, Eleonora
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Focus
The pianist ALEXANDER GADJIEV in Catania – Review
by Natalia Di Bartolo – at the Teatro Massimo Bellini in Catania a recital by the pianist from Gorizia, with Chopin as protagonist. Fryderyk Chopin, the divine.
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THE WOLF and THE RATTLE CAP by Tutino world premiere in Catania - Review
by Natalia Di Bartolo – World premiere at the Teatro Massimo Bellini in Catania, “The rattles hat” in diptych with “The Magnifying Glass”,
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Bergonzi 100 – Verdi Theatre, Busseto
By William Fratti – The phrasing and stage words of the great Bergonzi in Busseto in an unforgettable evening in celebration of the centenary
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EDUARDO AND CRISTINA at the ROF in Pesaro – Review 2Rewiews2
by Natalia Di Bartolo – On the podium Jader Bignamini, directed by Stefano Poda, in an absolute modern premiere of the critical edition of Rossini's Opera inaugurates
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FRÉDÉRICO ALAGNA exhibits a Mystical Triptych in Paris
By Natalia Di Bartolo – On display in Saint-Sulpice. The Italian-French artist stands out for the originality and elegance of his monumental works. Frederic Alagna,
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NABUCCO at the Teatro Massimo in Palermo – Review
By Natalia Di Bartolo. A show in the true sense of the word, a well-deserved success for a highly enjoyable setting – On the podium the
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VEZZI AND MALVEZZI – The whole truth about the death of "Julius Caesar"
Natalia Di Bartolo, in a’ careful examination of the sources of the “Julius Caesar” by Shakespeare, enriches the humorous / satirical series by Vezzi and Malvezzi with
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Invited to Georgia, Maestro Sabbatini conducts pieces of Opera - Focus
By Natalia Di Bartolo. A charity gala concert in Tbilisi, conceived by mezzo-soprano Nino Surguladze for the Foundation “Natvris he”
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VEZZI AND MALVEZZI: Guided tour of the Asylum of the Opera
Natalia Di Bartolo continues, with the demanding viewer struggling with an interview on the scenes of madness, in the Vezzi and Malvezzi column… “But they are
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