Vezzi and Malvezzi: the pindaric journey
by Natalia Di Bartolo – With the Capulets and the Montecchi” Di Bellini, we smile (but not too much) on the conditions of the opera theater today.
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review
VIENNESE CLASSICISM directed by Ranzani in Catania – Review
by Natalia Di Bartolo – Maestro Stefano Ranzani leading the Orchestra of the Teatro Massimo Bellini of Catania in a dedicated Symphonic Concert
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THE CAPULETS AND THE MONTECCHIS in Palermo – Review
by Natalia Di Bartolo – at the Teatro Massimo, on the podium Maestro Omer Meir Wellber, directed by Idan Cohen, a mass
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GROSS – Simone Migliorini plays Shakespeare in Volterra – Review
Review by Natalia Di Bartolo – Simone Migliorini great interpreter of Shakespeare with the dramaturgy of Nicola Fano, in Volterra – A sound
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Roberto Alagna is LOHENGRIN in Berlin – Review
Roberto Alagna is LOHENGRIN in Berlin – Review by Natalia Di Bartolo – Il tenore franco/siciliano debutta nel repertorio tedesco allo Staatsoper Unter
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Review: ADRIANA LECOUVREUR alla Royal Opera House di Londra
Review: ADRIANA LECOUVREUR alla Royal Opera House di Londra. By Fabio Albanese © dibartolocritic – Londra, 2 marzo 2017 – Per celebrare i 25 anni
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MADAMA BUTTERFLY at the Teatro alla Scala in Milan
Review by Natalia Di Bartolo © dibartolocritic — Milan, 7 December 2016 — The immense commitment that underlies an opera production is perhaps little
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CARMEN a Palermo
Review by Natalia Di Bartolo © dibartolocritic Palermo, 29 November 2016 Bizet's Carmen is Carmen. Without any other name. But if Carmen is Carmen,
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Verdi's Requiem in San Marco in Milan conducted by Zubin Metha
Written by Natalia Di Bartolo — – Where the giants come to life – Milan, September 30, 2015 – The great are great and
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Francesco Di Bartolo, incisore e pittore
Written by Natalia Di Bartolo — Tornando indietro nel Tempo della Memoria, riaffiora l’immagine di una “sontuosa villa”, dall’imponente doppia scalinata d’ingresso, dal
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