Vezzi and Malvezzi: the pindaric journey
by Natalia Di Bartolo – With the Capulets and the Montecchi” Di Bellini, we smile (but not too much) on the conditions of the opera theater today.
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Opera
THE ENCHANTOR by Natalia Di Bartolo at the Roman Theatre, Volterra
di Neco Verbis – Written for Simone Migliorini, with original music by Eric Breton, world premiere at the Teatro Romano Volterra International Festival.
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THE ENCHANTOR by Natalia Di Bartolo in Volterra – Author's notes
by Natalia Di Bartolo – International premiere at the International Roman Theater Festival, 26 July 2024. Eric Breton, Lydia Mayo, Simone Migliorini, Eleonora
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THE CAPULETS AND THE MONTECCHIS in Palermo – Review
by Natalia Di Bartolo – at the Teatro Massimo, on the podium Maestro Omer Meir Wellber, directed by Idan Cohen, a mass
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AURELIANO IN PALMIRA at the ROF of Pesaro – Review
by William Fratti – The grandiose Rossini Opera at the Rossini Opera Festival 2023 in Pesaro directed by Mario Martone. Aurelian
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AIDA in Munich – Review
by Natalia Di Bartolo – The new production of Michieletto at the Bayerische Staatsoper, with Rustioni on the podium and an impeccable cast. We are now
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TURANDOT at the Teatro Real in Madrid – Review
by Natalia Di Bartolo – Anna Pirozzi in the title role in Robert Wilson's production, with Jorge de Leon and Ruth Iniesta,
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ROMEO AND JULIETTE at the Opéra National de Paris Bastille – Review
By Natalia Di Bartolo – In a new production by Thomas Jolly with Benjamin Bernheim and Elsa Dreisig, Gounod's Opéra returns to
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SICILIAN VESPERS at La Scala in Milan – Review
By Natalia DiBartolo. The booklet refers to a precise historical event that is crucial to find “the reading key” of the whole
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THE TAMERLANO in Piacenza – Review
By William Fratti – A very high-level cultural operation the production of Il Tamerlano by Antonio Vivaldi in the critical edition by Bernardo Ticci A show that does good
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