ROMEO AND JULIETTE at the Opéra National de Paris Bastille – Review
By Natalia Di Bartolo – In a new production by Thomas Jolly with Benjamin Bernheim and Elsa Dreisig, Gounod's Opéra returns to
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Lirica
SHADOW OF THE EVENING Award to GIUSEPPE SABBATINI and STEFANO PODA
OMBRA DELLA SERA Award to GIUSEPPE SABBATINI and STEFANO PODA in Volterra – news by William Fratti – "Bruno Landi" at the Opera, a
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Review: NORMA in Palermo in the lacci della Devia
NORMA a Palermo nei lacci della Devia, in una nuova produzione diretta da Gabriele Ferro. Review by Natalia Di Bartolo © dibartolocritic I miti
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CARLO COLOMBARA: LYRIC VOICES (3)
CARLO COLOMBARA: VOCI LIRICHE (3) INTERVISTA ESCLUSIVA a puntate per la RUBRICA Il Salotto d’Arte di Natalia Di Bartolo © dibartolocritic (3) IL
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MADAMA BUTTERFLY at the Teatro alla Scala in Milan
Review by Natalia Di Bartolo © dibartolocritic — Milan, 7 December 2016 — The immense commitment that underlies an opera production is perhaps little
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CARMEN a Palermo
Review by Natalia Di Bartolo © dibartolocritic Palermo, 29 November 2016 Bizet's Carmen is Carmen. Without any other name. But if Carmen is Carmen,
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Verdi's Requiem in San Marco in Milan conducted by Zubin Metha
Written by Natalia Di Bartolo — – Where the giants come to life – Milan, September 30, 2015 – The great are great and
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Bellini, Gounod, due Giuliette e un soprano
Bellini, Gounod, due Giuliette e un soprano – A soprano embarking on a professional career always has a secret dream: the
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Vincenzo Bellini: the Spanish manuscript de “The Pirate”
Vincenzo Bellini: the Spanish manuscript de “The Pirate” – On the day of commemoration, an article about the Spanish find – By Natalia Di Bartolo-
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Wagner’s Das Rheingold (The Rhinegold) in Tokyo
By Tiziano T. Dossena — 1 Oct. – October 17, 2015 – The 70th National Arts Festival by the Agency for Cultural Affairs
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