d’opera in opera
I Capuleti e i Montecchi/Catania 2014
Catania, 27 October 2014 Vincenzo Bellini's melodies are like flowers ready to bloom. They blossom everywhere, in any conditions, in any execution,
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Opera, Valmiki and malvezzi: when the tenor dies
By Natalia Di Bartolo — Pathos, emotion: here comes the finale of the Opera. After having upset with their woes, our protagonists are on track
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Darkness and light (art history on one page)
Dark. Moving padfoot, between flashes and dazzle. And the divine forms of Hermes, lit by torches votive, oscillate between the shadow and the dark, white
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2 Fotopintura
By Davide Chessa
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Roberto Alagna – Werther-2014 DVD from the Regio di Torino (2005) (these excerpts of french and english translation)
By Natalia Di Bartolo — (These excerpts of French and English translation) — A Werther massenetiano interpretative reading and careful and directing
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18 golden rules to approach at work
By Natalia Di Bartolo — the Teatro Persio Flacco (pictured of Volterra (PI) — Some advice with a pinch of irony: “rules”,
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Roberto Alagna diretto da Michel Plasson: un Werther memorabile all’Opéra Bastille, 2014 (following excerpts of french translation)
By Natalia Dantas Following excerpts of french translation) Paris, February 2, 2014 When the Opera House speaks to the soul, it is true and
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Prose in music: the design and implementation of Melodrama
Written by Natalia Di Bartolo — L’ideazione: Accademico, musicista, letterato, mecenate, politico, militare, Giovanni Maria Bardi dei Conti di Vernio fu un
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