GROSS – Simone Migliorini plays Shakespeare in Volterra – Review
Review by Natalia Di Bartolo – Simone Migliorini great interpreter of Shakespeare with the dramaturgy of Nicola Fano, in Volterra – A sound
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TRACHINIE by Sophocles – Critical analysis
TRACHINIE by Sophocles – Critical analysis by Natalia Di Bartolo – The much discussed dichotomy of the Sophocles masterpiece does not exist. Reading the text
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From the Archives: “EURIPIDE: HERACLES IN THE MIRROR”, Syracuse, 2007 – Review
From the Archives: “EURIPIDE: HERACLES IN THE MIRROR”, Syracuse, 2007 – Review by Natalia Di Bartolo. About Euripides' ERACLE on stage this year
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GIANNI SCHICCHI in Piacenza – Review
GIANNI SCHICCHI in Piacenza – Review by William Fratti – 22 gennaio 2021: in totale assenza di pubblico che la legge impone in
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Roberto Alagna is LOHENGRIN in Berlin – Review
Roberto Alagna is LOHENGRIN in Berlin – Review by Natalia Di Bartolo – Il tenore franco/siciliano debutta nel repertorio tedesco allo Staatsoper Unter
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“The man with the flower in his mouth – poems, short stories and other madness” in Volterra
“The man with the flower in his mouth-poems, short stories and other madness” in Volterra – Pirandello in the national premiere in a show by Natalia Di Bartolo
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“A WORD” poetic sylloge by Natalia Di Bartolo : THE PROJECT
“A WORD” poetic sylloge by Natalia Di Bartolo : THE PROJECT – In collaboration with Frédérico Alagna – Between Delrico and Simone Migliorini
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MUSUMECI e ROTA concerto sinfonico a Catania – Review
MUSUMECI e ROTA, concerto sinfonico a Catania – Review by Natalia Di Bartolo – La terza sinfonia di Matteo Musumeci in prima assoluta
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VERDI OPERA GALA in a baroque setting – Review
VERDI OPERA GALA in a baroque setting – Review by Natalia Di Bartolo – The Sicilian Lyric Choir, starring Daniela Schillaci, in Acireale (CT)
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BEETHOVEN'S NINTH SYMPHONY in Catania – Review
BEETHOVEN'S NINTH SYMPHONY in Catania – Review by Natalia Di Bartolo – Inauguration of the 2020 concert season with Maestro Gianluigi
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