LA CANTATA DEI PASTORI fra tradizione e devozione
L’opera di Peppe Barra a Catania — Review by Natalia Di Bartolo © dibartolocritic — Natale e tradizione, connubio perfetto, soprattutto in ambito popolare e
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THEATRE
MADAMA BUTTERFLY at the Teatro alla Scala in Milan
Review by Natalia Di Bartolo © dibartolocritic — Milan, 7 December 2016 — The immense commitment that underlies an opera production is perhaps little
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HUNDRED THOUSAND, ONE, NONE in the first national show
Review by Natalia Di Bartolo © dibartolocritic Modern dramaturgy: often a puzzle. Instead, linearity and coherence appear to be the characteristics characterizing the
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Sergio Alapont manages Catania
Review by Natalia Di Bartolo © dibartolocritic — Dense and colorful atmosphere at the Teatro Massimo Bellini in Catania on 2 December 2016 on the occasion
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CARMEN a Palermo
Review by Natalia Di Bartolo © dibartolocritic Palermo, 29 November 2016 Bizet's Carmen is Carmen. Without any other name. But if Carmen is Carmen,
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Vincenzo Bellini in Viagrande: rarities and memorabilia
Review by Natalia Di Bartolo © dibartolocritic A long evening on 19 November 2016, in Viagrande (CT), designed to remember Vincenzo Bellini and to
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SAKÚNTALA of Alfano in Catania: the “orchestral painting”
Review By Natalia Di Bartolo © dibartolocritic The opera “Sakùntala”, music and libretto by Franco Alfano, was performed for the first time in 1921 under
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Interview with ROBERTO FRONTALI, MACBETH IN VIENNA
EXCLUSIVE INTERVIEW by Natalia Di Bartolo for © dibartolocritic — (read also in the column “Natalia Di Bartolo's Art Salon“) Vienna, 12 November
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What Ariosto saw when he closed his eyes
Edited by Neco Verbis — Orlando furioso 500 years Suggestive exhibition at the Palazzo dei Diamanti in Ferrara from 24 September 2016 to’ 8
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GIUSEPPE ALBANESE the symbiosis with the piano
Review by Natalia Di Bartolo © dibartolocritic — An evening of great piano music at the Teatro Massimo Bellini in Catania on 5 November 2016, with
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